Arago: Exhibits


Florentine Madonna and Child

'Florentine Madonna and Child' by unknown Florentine 15th Century sculptor

"Madonna and Child," c. 1425, by unknown Florentine sculptor, painted and gilded terracotta, Samuel H. Kress Collection, National Gallery of Art

Designed by Richard Sheaff, the 1998 traditional Christmas stamp is one of the few that depicts a sculpture, this one by an unknown sculptor, thought to be Florentine. An elegant-looking Madonna and child are set off by a rose-colored background which almost matches Mary’s lips and cheeks. On the base of the sculpture is a phrase often seen in representations of Mary: AVE MARIA GRATIA PLENA (Hail Mary, full of grace), emphasizing her as the main subject of the sculpture. The stamp image emphasizes her feminine aspect, with her delicate features, fashionable wavy hair and an interesting flash of blue in the lining of her clothing. The baby Jesus is chubby and realistic, as he playfully reaches for her headdress. Mary seems to be leaning to one side to support his weight.